No one else seems to have commented on this particular instance of synchronicity, so I may as well do so: this year the Turner Prize was won by a (brilliant, black, British) artist (Lubaina Himid) who, amongst many other things, highlights Guardian front page images and the adjacent headlines in order to draw attention to hidden racist assumptions. Today, some sharp-witted Twitterer spotted this (see screenshot) stark bit of pre-1970s racism on the front of The Newspaper That Hates Britain. It echoes the Sun front page of May 2015, which clearly spelled out JEW to anyone tempted to put that incompetent bacon-sandwich eater Miliband into power. Anyone inclined to dismiss either front page as an accident would do well to look up Freud’s work on slips of the tongue. Whether it was a conscious choice or not, if the Mail were anything other than a racist newspaper someone in the chain of command would have spotted the juxtaposition and removed it. Instead, they all nodded it through in that mini-Wannsee conference held daily at 11am in South Ken.
It’s also worth bearing in mind that the article in question was written by the wife of a leading cabinet minister and Brexit acolyte. No wonder Michael Gove hates experts; I wouldn’t imagine he’s much of a fan of contemporary art either. The Shock Doctrine mentality of politicians such as him, Farage and Hannan, all of whom see Brexit as their chance to rip it all up and start again, has long reminded me of the Khmer Rouge, who, right from Year Zero, made it clear that they saw artists as, to borrow a not-entirely-random expression, ‘enemies of the people‘.